Art

Jakub Matuska: a mix of real and unreal

28/10/2018 Severine Grosjean The visuality of the work of Jakub Matuska aka ‘Masker’ is based on figuration and street art. Jakub Matuska’s painting emanates a rich range of expressive elements. He brilliantly unites the bright colored and aggressive genres that come close to German expressionism. These works show a derisory and pathetic humanity. His characters …

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VHMOR interview with the filmmaker Thiago Moysés

08/10/2018 VHMOR Thiago Moyses has worked in countless short and feature films as cinematographer, film editor, special effects designer, scriptwriter, and animator. His feature film “Sindrome de Pinocchio” (2010) was one of the only ten movies pre-selected in Brazil to represent the country in the running for an Academy Award for Best Foreign Language Film. …

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Modern photography in Brazil: displacement and research in photographic language

28/08/2018 Fabio Salun In this brief text, I propose to think some modern trends in Brazilian photography from a technical question and from an aesthetic that seeks in the language itself the modern problems of creation and originality, in short, in the visual displacements proposed by the photographic researches and in the differences established with …

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The body and the mind: the art of Mary Lynch

18/08/2018 Severine Grosjean Maria Lynch is a Brazilian artist who invites the viewer to enter a multicolored imaginary world composed of paintings, sculptures, photographs, installations, video and performance. She puts at the center of her reflection, the mind-body problem that raises the question of the relationship between the human body, the brain in particular and …

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Interaction between human and technology under the vision of Daniel Escobar Vásquez

10/08/2018 Severine Grosjean Visualizar(abrir em uma nova aba) Gaston Bachelard said that “we (were) in the century of the image, for good or for bad, (that) we are suffering more than ever the action of the image.” The Colombian multimedia artist Daniel Escobar Vásquez decided to see the good where the body of the spectator …

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